Piyanoda Nüans Terimlerinin Öğretilmesinde Ön Dinleme ve Anlamlandırma Yaklaşımlarının Etkisi
Piyanoda Nüans Terimlerinin Öğretilmesinde Ön Dinleme ve Anlamlandırma Yaklaşımlarının Etkisi
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Abstract
Bu çalışmada piyano derslerinde öğretilen nüans terimlerinden birinin hem ön dinleme hem de anlamlandırma stratejilerine dayalı yaklaşımlarla aktarılmasının etkili olup olmadığı incelenmiştir. Çalışma için deneysel bir desen seçilmiş ve bu denemeler için deney ve kontrol grupları teşkil edilmiştir. Öğrencilerle çalışma yapmak için seçilen terim olan piyano nüans terimine uygun eserler belirlenmiş ve bu eserler yardımıyla ön test ve son test süreçleri yürütülmüştür. Süreç için oluşturulan iki deney grubuna ön dinleme ile örnekler verilmiş, diğer gruba ise piyano terimi benzetimler yoluyla tasvir edilmiştir. Kontrol grubu ile klasik açıklama ve tekrarlar ile çalışılmıştır. Her bir öğrenci ile bireysel olarak 20 dakika çalışılmış ve son performanslar ölçülmüştür. Elde edilen puanlar tablo haline getirilmiş ve gruplar düzeyinde bilgisayara aktarılmıştır. İstatistik olarak işlenen veriler genel olarak her iki deney grubunun kısmen az bir farkla kontrol grubundan daha başarılı olduğuna işaret etmektedir. Her iki deney grubu birbirine yakın puanlar alırken kontrol grubu daha az seviyede dağılım sergilemiştir
In this study, it was examined whether it is effective to convey one of the nuance terms taught in piano lessons with approaches based on both pre-listening and elaboration strategies. An experimental design was chosen for the study and experimental and control groups were formed for these experiments. Piano pieces suitable for the term piano nuance, which is the term chosen to work with the students, were determined and pre-test and post-test processes were carried out with the help of these pieces. Two experimental groups were given examples with pre-listening, and the other group was described the piano term through simulations. The control group was worked with classical explanations and repetitions. Each student was worked with individually for 20 minutes and the final performances were measured. The test scores obtained were tabulated and transferred to the computer. The statistically processed data generally indicate that both experimental groups were more successful than the control group with a slight difference. While both experimental groups scored close to each other, the control group exhibited a lower score distribution.
In this study, it was examined whether it is effective to convey one of the nuance terms taught in piano lessons with approaches based on both pre-listening and elaboration strategies. An experimental design was chosen for the study and experimental and control groups were formed for these experiments. Piano pieces suitable for the term piano nuance, which is the term chosen to work with the students, were determined and pre-test and post-test processes were carried out with the help of these pieces. Two experimental groups were given examples with pre-listening, and the other group was described the piano term through simulations. The control group was worked with classical explanations and repetitions. Each student was worked with individually for 20 minutes and the final performances were measured. The test scores obtained were tabulated and transferred to the computer. The statistically processed data generally indicate that both experimental groups were more successful than the control group with a slight difference. While both experimental groups scored close to each other, the control group exhibited a lower score distribution.
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Keywords
Fields of Science
06 humanities and the arts, 0604 arts
Citation
WoS Q
Scopus Q
Volume
21
Issue
49
Start Page
114
End Page
128
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